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Zhao Mengfu
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Zhao Mengfu (; Zi'ang (子昂); Songxue (松雪, "Pine Snow"), Oubo (鷗波, "Gull Waves"), and Shuijing-gong Dao-ren (水精宮道人, "Master of the Water Spirits Palace"); 1254–1322), was a Chinese calligrapher, painter, and scholar during the .http://www.sino-platonic.org/complete/spp110_wuzong_emperor.pdf p. 15. He was a descendant of the 's imperial family through Emperor Xiaozong's brother Zhao Bogui who married a lady surnamed Song who was the granddaughter of Emperor Huizong. Zhao Bogui was a descendant of Emperor Taizu, through his son .

He was recommended by the Censor-in-chief to pay an audience with in 1286 at the Yuan capital of , but was not awarded an important position in office. His work was however, greatly appreciated later by the Confucian-inspired Yuan Emperor Renzong. Zhao was a member of the "Academy of Worthies".

(2002). 9789004126053, Brill. .

He was married to , who was also an accomplished poet, painter and calligrapher. His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of . His landscapes are also considered to be done in a style that focuses more on a literal laying of ground. Rather than organizing them in a foreground, middle ground, and background pattern he layers middle grounds at various heights to create a sense of depth. This pattern of organization makes his paintings appear very simple and approachable. It was this characteristic that so many people valued about his style.

One of his most celebrated landscape paintings is exhibited at the Princeton University Art Museum with the title “The Mind Landscape of Xie Youyu” (幼輿丘壑), an allusion to the nature-loving scholar-official Xie Youyu (280–322). However, in 2019 Dutch scholar Lennert Gesterkamp argued that the colophon attached to the painting and mentioning Xie Youyu is a forgery, and that in fact Zhao Mengfu's intention was to honor his own spiritual master, Daoist scholar Du Daojian (1237–1318), who also celebrated nature.Lennert Gesterkamp, “《谢幼舆丘壑图》—— 漫谈赵孟頫与其道教绘画的问题 (The Mind Landscape of Xie Youyu: Discussing the Problem of Zhao Mengfu and his Daoist Paintings)”, in Wang Lianqi, ed., 王連起 (主編),《師古還是求新——趙孟頫的藝術與時代 (上下冊)》(Mastering the Past or Seeking the New: The Art and Times of Zhao Mengfu), Beijing: Renmin meishu chubanshe, 2019, 93–144.

Zhao Mengfu had several sons with his wife Guan Daosheng. His second son, Zhao Yong, also became a famous painter and calligrapher. He was also the maternal grandfather of Wang Meng, another famous painter. Zhao Mengfu was related to the later literary figure and his son Zhao Jun.

(1988). 9780847810031, Indianapolis Museum of Art. .


Paintings
File:Zhao Mengfu. Self Portrait. 1299, Album leaf. Palace Museum Beijing.jpg|Self portrait of Zhao Mengfu, 1299 File:Zhao Mengfu 1254 1322 A l'unisson (Tiaoliang tu) Peinture, encre sur papier feuille d'album 22,7x49cm.jpg| A Man and His Horse in the Wind File:元 趙孟頫 趙雍 趙麟 吳興趙氏三世人馬圖 卷-Grooms and Horses MET DP213981 CRD.jpg| Horse and Groom Image:Zhao Meng Fu Elegant Rocks and Sparse Trees.jpg| Elegant Rocks and Sparse Trees Image:Zhao Mengfu, Sheep and Goat.jpg| A Sheep and Goat Image:OldTreeAndHorses.jpg| Old Tree and Horses File:10 ZhaoMengfu- Hoopoe on Bamboo. Shanghai mus..jpg| Hoopoe on Bamboo File:3c Zhao Mengfu Twin Pines, Level Distance, ca. 1310 (26.8 x 107.5 cm);The Metropolitan Museum of Art, New York.jpg| Twin Pines, Level Distance


Calligraphic works

Legacy
The former residence of Zhao Mengfu in , province has been restored into a museum, and opened to public since 2012.

A 167 kilometer diameter crater on Mercury (132.4° west, 87.3° south) was named the "Chao Meng-Fu crater" in memorial of him.


Genealogy
  • Zhao Weixian
  • Zhao Congyu
  • Zhao Shijiang
  • Zhao Linghua
  • Zhao Zicheng
  • Zhao Bogui
  • Zhao Shichui
  • Zhao Xiyan
  • Zhao Yuyin
  • Zhao Mengfu


See also

  • Mu, Yiqin, "Zhao Mengfu". Encyclopedia of China (Arts Edition), 1st ed.
  • Zhao Mengfu: Calligraphy and Painting for Khubilai's China
  • Wang Lianqi, ed., 王連起 (主編),《師古還是求新——趙孟頫的藝術與時代 (上下冊)》(Mastering the Past or Seeking the New: The Art and Times of Zhao Mengfu), Beijing: Renmin meishu chubanshe, 2019.
  • Li. The Autumn Colors on the Ch'iao and Hua Mountains: A Landscape by Chao Meng-Fu. 1965.
  • Freer Gallery of Art, and Chu-Tsing Li. The Freer Sheep and Goat and Chao Meng-Fu's Horse Paintings. Artibus Asiae Publishers, Ascona, Switzerland, 1968.


External links

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